An almost hipster friend of mine once wore a t-shirt that read something like, "I've heard of bands that haven't been formed yet." Arcing along the lines of the first liar not having a chance, the message conveys a sense of urgency to discover. What about discovery is so exciting, I cannot say, but when it comes to bands, often the personal discovery of a band comes too late. I discovered The Civil Wars, then started hearing them in sound tracks, and on NPR. Then, they broke up. The first time a person hears the Beatles, the cloud of disappointment over loving something that no longer exists looms dark on their voyage.
The Weakerthans, though still together, seem to be only updating their Twitter feed, leaving not much to love in the present. Their previous albums are time capsules that I find myself revisiting, and whenever "One Great City" comes on, I am reminded of discovering the band for the first time. The song is an ode to a home town, an expression of love for a city that can only be shown through a proud disgust. The people of Seattle, for love of the Emerald City, complain about the traffic. The people of Winnipeg, apparently, each in their own muttered way, proclaim, "I hate Winnipeg."
Like an old friend whose flaws you know better than they do, you cannot help but hate the town you are from, or living in. If ignorance is bliss, then love is spite for flaws that are too obvious to ignore. We lust in ignorance, a pre-love that builds around something that could never have existed. We love in full knowledge, but blind ourselves with an image of what it never was. Either way we are trapped loving something that does not exist.
Music and home towns are easy examples. Relationships, pregnancy, and child rearing seem to have the same effect. The recently single find fantasies to justify love that never existed, and the new parent soon fools themselves into the glory, forgetting the pain, of days gone by. At the heart, we love memories and fantasies because they are ours to control.
Travelling is much the same way. When on holiday, it is convenient to think that the experience was in some way real. That the traveler experienced the place, people, or culture. In actuality though, knowing a culture means to be assimilated by it, and once that happens, we are blind to it. Stories of gang violence and abject poverty seem unreal, but to the people in them, the alternative is just as unimaginable. The traveler never experiences their destination, and they may stay for years, building a facade of pliable love that exists for something that never was.
The fantasy genre, and maybe fiction as a whole, exists for our love of things that do not exist. When we fantasize about castles and dragons, we generally leave out the smell of chamber pots and open sewers. During the years in Middle Earth that Tolkien describes, he skips over the messy details of life, Sam only once waxes on about the Shire, and Rosy Cotton. George R. R. Martin is perhaps better at creating the grey area of life, but even when evil and good blend to an uncomfortable hospital beige we can freely love (and hate) that which does not exist.
Unlike my friend, I will probably never have heard of bands before they exist, and most of my hobbies are innately involved with following (e.g. following trails), and yet, I find at the close of every day a feeling a little like the title of The Weakerthans' second album, "Left and Leaving." I have left a moment in time that I will love, or love to hate, in my memories, and the day is leaving me to love in dreams of things that will never be, leaving me the transition from what never was, to what never will be.
The Weakerthans, though still together, seem to be only updating their Twitter feed, leaving not much to love in the present. Their previous albums are time capsules that I find myself revisiting, and whenever "One Great City" comes on, I am reminded of discovering the band for the first time. The song is an ode to a home town, an expression of love for a city that can only be shown through a proud disgust. The people of Seattle, for love of the Emerald City, complain about the traffic. The people of Winnipeg, apparently, each in their own muttered way, proclaim, "I hate Winnipeg."
Like an old friend whose flaws you know better than they do, you cannot help but hate the town you are from, or living in. If ignorance is bliss, then love is spite for flaws that are too obvious to ignore. We lust in ignorance, a pre-love that builds around something that could never have existed. We love in full knowledge, but blind ourselves with an image of what it never was. Either way we are trapped loving something that does not exist.
Music and home towns are easy examples. Relationships, pregnancy, and child rearing seem to have the same effect. The recently single find fantasies to justify love that never existed, and the new parent soon fools themselves into the glory, forgetting the pain, of days gone by. At the heart, we love memories and fantasies because they are ours to control.
Travelling is much the same way. When on holiday, it is convenient to think that the experience was in some way real. That the traveler experienced the place, people, or culture. In actuality though, knowing a culture means to be assimilated by it, and once that happens, we are blind to it. Stories of gang violence and abject poverty seem unreal, but to the people in them, the alternative is just as unimaginable. The traveler never experiences their destination, and they may stay for years, building a facade of pliable love that exists for something that never was.
The fantasy genre, and maybe fiction as a whole, exists for our love of things that do not exist. When we fantasize about castles and dragons, we generally leave out the smell of chamber pots and open sewers. During the years in Middle Earth that Tolkien describes, he skips over the messy details of life, Sam only once waxes on about the Shire, and Rosy Cotton. George R. R. Martin is perhaps better at creating the grey area of life, but even when evil and good blend to an uncomfortable hospital beige we can freely love (and hate) that which does not exist.
Unlike my friend, I will probably never have heard of bands before they exist, and most of my hobbies are innately involved with following (e.g. following trails), and yet, I find at the close of every day a feeling a little like the title of The Weakerthans' second album, "Left and Leaving." I have left a moment in time that I will love, or love to hate, in my memories, and the day is leaving me to love in dreams of things that will never be, leaving me the transition from what never was, to what never will be.